Compared to me at my peak, in junior high school, I am not homophobic. I wasn’t even that homophobic then, on the full scale of the trait, but “gay” was definitely a put-down and though I didn’t know that I knew any LGBTQ folks at the time, I had the sense that they were lower on the hierarchy of normalcy than I was.
I’ve come a long way. Last fall, for example, a young woman leaned her upper body out of the passenger window of a passing car to shout “fag!” at me, and I was merely amused. (Tilke told me later it was probably because I was wearing red pants. Heterosexuals are allowed to wear blue, black, khaki, and camouflage pants.) It’s impossible to measure, of course, but if you forced me to say, I’d guess I have about 1% of the homophobia I had then. I don’t mean to make that sound like that’s a big deal—it’s just growing up. One of the main things I think “growing up” means is coming to not feel threatened by things that aren’t threatening.
But getting rid of what co-counselors call ‘oppressor patterns’ like homophobia is kind of like learning to tune a guitar; the further you get, the harder it is to do. Tiny increments that used to be inaudible to me, now sound teeth-grindlingly out of tune. It’s like my mom always says, “Whatever you focus on expands.”
I’m thinking about this because I’ve started taking a ballet class—two, actually, four hours a week—and we started right out with a move that poked me right in the homophobia, a ballet leap called grande jete. It’s a beautiful motion, but I get a little uncomfortable watching men do it. And there’s something about doing it myself that makes me squirm. And being seen doing it e,specially by strangers, set my emotional alarms off. I haven’t been able to deconstruct it much, yet. My body just shouted “wrong!”
I’m looking forward to whatever insights come from this. My first guess is that it’s fear of ridicule. Whatever it is, facing it could really help my dancing. I’m from the punk rock generation. We’re not allowed to be passionately graceful. It has to look accidentally or clumsily graceful. That is holding me back.
Here’s some amazing leaping (though I don’t think any of these are grande jetes):
April 4, 2009 at 6:36 am
Yup- Baryshnikov is a master!
Did I tell you I met and photographed him? He looks like a short, stocky Chris Thiele. Now that I think of it, Chris plays the mando just like B dances; effortlessly and poetically. BTW, you’ve seen me dance many times growing up- in my mind, I look just like Baryshnikov when I dance. DA
April 4, 2009 at 4:51 pm
Yeah, I saw him too. He’s about 5 foot 1 or 2, and he’s straight. He moves in a way that makes me want to swoon! He’s perfection in a body. It’s interesting how he can do movements that are considered “girlish” but instead they look powerful, masterful, and almost unbelievable. Never “swishy”. Do you think it’s because he is so incredibly muscular?
April 4, 2009 at 4:55 pm
Do you know when that u-tube was taken? If it’s recently, it would be incredible. ‘Cuz he’s NOT YOUNG! When I saw him, he was not a young guy, and that was a long time ago. Ballet helps people stay in top physical condition! I would imagine that at his age he’s probably just teaching now. Unless he’s really Superman in disguise.
April 4, 2009 at 8:52 pm
go, nathen, go! i can’t wait to see you do a grande jete. i bet it’s really fun to leap around and develop the muscles etc. to land softly.
April 14, 2009 at 1:44 am
Nate– check out Baryshnikov here:
April 17, 2009 at 12:55 am
Nathen, that video Maggie posted was from the movie White Nights. Do you remember it? You might want to watch it again for some inspiration. It has some GREAT tap dancing in it, if you remember. I loved that movie!
April 17, 2009 at 3:06 am
Yes, I remember it. I’ve been wanting to watch that whole movie again since I started doing ballet. I saw it when I was pretty young and I remember it being very dramatic, like an action-thriller. With very cool dancing. I imagine I’ll enjoy the dancing even more, now, and maybe the plot less. We’ll see!